Digital museum showcasing the collection of worldwide legends over the years! 千古不朽博物館展示多年來收藏的世界傳奇故事!
Quimbaya Culture
Tumbaga Golden Figurine
基姆巴亞文化
圖帕伽金人像
Item number: G1
Year: 500 BC–AD 600
The results after XRF testing
Element
Percentage %
Au
58.97 %
Cu
32.71 %
Ag
7.97 %
Zn
0.358 %
Material: 14ct Gold (Tumbaga)
Size: 144.0 x 106.8 x 0.6 mm
Weight: 64.6 g
Provenance: Heritage Auctions 2023
This is a gold ornament from the Quimbaya culture of South America, specifically Colombia, dating approximately between 500 BC and AD 600.
This ornament combines human and various animal characteristics, depicting a smiling human face with a large, rounded nose. Spiral-shaped ornaments dangle from both ears, and the figure wears an elaborate, oversized headdress. The human torso is replaced with a reptilian form covered in scale-like patterns, while the arms take the shape of bird wings and extend into a crescent-shaped bird tail. These hybrid designs, blending human and animal traits, may reflect the Quimbaya culture’s worldview and religious beliefs, symbolising a connection between humans, animals, and the spiritual realm.
The material of this ornament is a copper-gold alloy known as “Tumbaga,” a term derived from the nomenclature of Spanish conquistadors. Prior to Columbus’s arrival in Central and South America, Tumbaga was widely utilised by ancient civilisations in the region for decorative arts and jewelry-making. Objects crafted from Tumbaga included not only human figures but also representations of birds, fish, reptiles, and a variety of indescribable beasts and hybrid figures that combined human and monstrous traits. Additionally, items such as golden ornaments, plates, and other artefacts were produced using this material.
Many of these gold ornaments were equipped with small circular loops, allowing them to be worn on the nose, ears, or chest. The artefacts were often hollow cast, demonstrating remarkable craftsmanship that rendered mould seams virtually invisible. In some cases, the artisans of these ancient American civilisations created pieces that alternated between gold, silver, and copper layers. These metals were fused with such precision that the objects appeared to be seamless, as though formed from a single unified piece.
The early Quimbaya culture was characterised by its residents engaging in agriculture, hunting, fishing, and gathering wild fruits, as well as extracting gold dust and salt from rivers for trade. They lived in scattered settlements distributed across plains and flat terraced slopes. The Quimbaya are renowned for their expertise in goldsmithing, with their works reflecting their exceptional technical and aesthetic achievements. These creations not only represent the social organisation and worldview of the Quimbaya people but also frequently depict animals in both realistic and abstract forms. Among the most common motifs are snails and butterfly pupae undergoing metamorphosis, possibly symbolising the cycles of nature and society.
In its later period, the Quimbaya culture tended to settle in temperate regions. While continuing activities such as foraging and hunting, they also began cultivating crops like maise, beans, and sweet potatoes on hillside terraces. They constructed threshing floors and irrigation channels to manage avalanches and soil erosion. Additionally, their economy included trade based on the production and exchange of gold, salt, textiles, and pottery.
Grégory Guisbiers, “Gold–Copper Nano-Alloy, “Tumbaga”, in the Era of Nano: Phase Diagram and Segregation”, Nano Letters,14(11), 2014, p. 6718 – 6719
Meyer, A.J. (2017). Repositioning the Middle: Movement, Sculpture, and the Body in the Central Cauca Valley. [online] Escholarship.org. Available at: https://escholarship.org/uc/item/7cg7g488 [Accessed 11 Dec. 2024].