Japan

Bunsei Koban Kin

日本

文政小判金

Item number: A1835

Year: AD 1819-1828

Material: Gold (.559)

Size: 58.6 x 31.5 mm

Weight: 13.04 g

Manufactured by: Kinza, Edo

Provenance: Fuchin Coin 2024

This is a koban gold coin minted between the second year of the Bunsei era (AD 1819) and the eleventh year of the Bunsei era (AD 1828). To distinguish it from the koban of the Genbun era, which was similarly marked with the character “bun,” this coin is referred to as the “Kusamono Koban” (草文小判), while the more neatly stamped koban of the Genbun era is called the “Shinbun Koban” (真文小判). It was issued during the reign of Emperor Ninkō and under the leadership of figures such as the Tokugawa shogun Ienari.

The term “ban” (or han, 判) refers to a fixed-size gold ingot that bears “ink inscriptions” or “extreme stamps” (kōbō, seals, 極印) as evidence of its quality and weight. The face value and weight of the koban are both one ryō, which is a counting currency in the base-four system; one ryō koban is equivalent to two and two-bu koban, or four one-bu koban.

On the obverse of this koban, the inscriptions “壹兩” (one ryō) and “光次” (Kōji) are visible. “壹兩” denotes the coin’s denomination, while “光次” represents the kōbō (seal) of Goto Shōzaburō Kōji (a hereditary position as the superintendent of the Edo mint, which lasted from 1595 AD to 1625 AD). Successive generations of the Goto family continued to use this seal. The inscriptions are flanked by the Goto family’s crest, which consists of a fan and paulownia motif. The paulownia crest is traditionally one of the symbols of the Japanese emperor and was historically granted by the emperor to subjects as a form of honour. The Goto family’s paulownia crest may have been granted to the Ashikaga shogunate by the emperor, who then passed it on to the Goto family. Surrounding the design are finely incised parallel lines that create a pattern resembling a straw mat, referred to as “Gozame” (茣蓙目).

On the reverse of the koban, the upper-right area bears the cursive script “文,” indicating it was minted during the Bunsei era. The lower-left corner displays the verification stamps of the koban maker and the minting workshop: the stamps “坂” and “オこ.” During the Edo period, the positions of the minting superintendent, the Goto office (the authentication and pressing office), the mint personnel office, and the casting workshop were collectively known as the “Kinzō” (minting centre). In addition to producing currency, the mint also worked alongside the official currency exchange offices and private currency traders to manage currency circulation.

Under the Tokugawa shogunate’s feudal economic system, the economy was initially based on natural resources, with rice as the central tribute commodity, supplemented by a currency-based commodity economy. Under the system of “koku,” peasants paid rice as tribute to their lords, who would sell it to rice merchants in Osaka to obtain currency. The lords used this currency to purchase goods from urban merchants, who in turn purchased surplus rice or other agricultural products from the peasants, allowing them to use the currency to buy goods. However, the development of the commodity economy, combined with years of natural disasters, led to the issuance of low-quality silver notes by various domains to cover deficits. This disrupted the currency circulation system, leading to localised currency shortages. The extravagant spending of rulers such as Tokugawa Ienari exacerbated the shogunate’s fiscal problems.

During the Bunsei era (from AD 1818 to AD 1832), large-scale coinage reform was implemented. Over 14 years, four major coinage reforms were carried out, with three new coin types introduced, leading to a total of nine different types of minted currency. The reforms began with the minting of the Bunsei-bun gold coin, followed by the Bunsei koban, Bunsei one-bu gold coins, and other types of gold, silver, and copper coins. The reasons given for these reforms included the need to recover worn or damaged gold, reduce the weight of coins to facilitate trade, and increase the circulation of money. However, in reality, the purity of the coins was reduced in order to amass wealth. These coins varied in purity and had different denomination and exchange systems; some were counting coins, others were weight-based coins, and some were weight-based coins filled with counting coins. The reduction in purity led to difficulties in currency exchange, and older coins such as Keichō gold and silver, Shōtoku gold and silver, Kyōhō gold and silver, and Genbun gold and silver continued to circulate widely, leading to a complicated and increasingly chaotic currency system. The excessive minting of currency during the Bunsei era marked the beginning of a pattern where, whenever the shogunate faced a fiscal crisis, it resorted to currency reforms as a temporary solution, further destabilising the economy. This cycle ultimately contributed to the decline and eventual collapse of the Tokugawa shogunate.

物件編號: A1835

年代: 公元 1819-1828 年

材質: 黃金 (559‰)

尺寸: 58.6 x 31.5 mm

重量: 13.04 g

製造地: 江戶金座

來源: 福君錢幣 2024

這是一枚自文政二年(公元1819年)至文政十一年(公元1828年)年間鑄造的小判金。為與元文年間,同樣以「文」註記的元文小判作區別,稱為「草文小判」,而楷書極印的元文小判,則稱為「真文小判」。歷經仁孝天皇,以及江戶幕府的德川家齊將軍等領導人。「判」的意思是固定形制的金塊上有「墨書」或「極印」(花押、印記)作為品質和重量的證明。而「小判」之面額以及重量皆為一兩,為四進制的計數貨幣,一兩小判等於二枚二分判金等於四枚一分判金。

這枚小判金正面為「壹兩」以及「光次」。「壹兩」為面額,「光次」則為江戶時代日本江戶金座(金幣鑄造所)御金改役(金幣鑄造所所長,職位世襲)後藤庄三郎光次(任職期間AD 1595-1625)的花押,歷代金座當主後世持續沿用。「壹兩」以及「光次」上方與下方是後藤家家紋,由扇面與桐紋組成。桐紋傳統上是日本天皇的象徵之一,也被歷朝天皇授予臣民作為賞賜。後藤氏桐紋可能是由天皇賞賜予足利幕府,足利氏再賞賜給後藤氏的。圖樣周圍橫鑿平行細紋,形成類似草蓆紋樣的裝飾,稱作茣蓙目(ござめ)。

小判金之背面右上為草書「文」,標示其為文政年間鑄造。左下有小判師(鑄造、雕刻師)的驗極印與吹所(鑄造所)的驗極印「坂」以及「オこ」。江戶幕府時期,御金改役(金幣鑄造所所長)、後藤役所(鑑定、壓印所)、金座人役所(試金員組成)、吹所(小判師組成)共同組成金座(鑄造所或鑄造中心)。金座除貨幣鑄造外,同時也與各御用取汲所(官方匯兌處)、替商(私營貨幣兌換商)一同負責貨幣的兌換。

德川幕府之幕藩經濟體系,原以自然經濟為主,以年貢米為核心,輔以貨幣商品經濟。石高制下,農民上繳年貢米給領主,領主糶出予大阪米商,取得貨幣。領主使用貨幣向城市商人購買商品,城市商人再向農民購買餘米或經濟作物,農民以取得的貨幣購買商品。但商品經濟的發展,加以連年災荒下,諸藩發行信譽低落的銀札彌補虧空,使得此循環流通體系動搖,出現局部的通貨緊縮。加以德川家齊等統治者奢靡無度,幕府的財政不斷惡化。文政年間(文正元年,公元1818年至天保三年,公元1832年),大規模的貨幣改鑄於是施行。14年間,改鑄貨幣四次,新鑄貨幣三次,共鑄幣種達九種。自文政二分金始,依次改鑄文政小判金、文政一分金等金銀以及銅幣。各以回收磨損瑕金、減輕重量以便利交易、增加流通等為由,實則降低成色以聚歛財富。這些貨幣成色各異,進位及兌換制度也各不相同,既有記數貨幣,又有稱量貨幣,更有充以記數貨幣的秤量貨幣。加以低落的成色使民間兌換不暢,仍通行大量舊幣,如慶長金銀、正德金銀、享保金銀、元文金銀等,使貨幣制度日趨複雜混亂。而文政年間貨幣濫鑄,也開此後幕府一旦財政危機,便貨幣改鑄以解一時之厄的濫殤,經濟每況愈下,終至幕府瓦解。

類似/相同物件 請看:

日本 神奈川県立歴史博物館 Kanagawa Prefectural Museum of Cultural History

https://ch.kanagawa-museum.jp/dm/syoukin/ysb_siryo/kokahei/edokin/d_kokahei_edokin13.html

日本 國立東京博物館 Tokyo National Museum

https://openmuseum.tw/muse/digi_object/1a1be6853ae25df190d82a5e2b63dbc9#111556

更多相關訊息請參考:

https://www.imes.boj.or.jp/cm/history/

大貫摩里,〈江戸時代の貨幣鋳造機関 (金座, 銀座, 銭座) の組織と役割─ 金座を中心として〉,《金融研究》18:4(東京,1999),頁51-72。

日本貨幣商協同組合,《日本貨幣カタログ2004年版》,東京:日本貨幣商協同組合,2003。

周愛萍,《日本德川時代貨幣制度研究》,北京:中國社會科學出版社,2010。

三上隆三,《江戸の貨幣物語》,東京:東洋経済新報社,1996。

返回頂端