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Northern Song Dynasty,
Jingde Zhungbao
(Value Ten Iron Cash &Regular Script & Long Bao)
北宋
景德元寶
(折十鐵錢 楷書長寶)
Item number: A2735
Year: AD 1005-1007
Material: Iron
Size: 35.1 x 35.4 x 3.2 mm
Weight: 15.25 g
Manufactured by: Fengyuan Iron Mint Bureau, Jiazhou; Huimin Iron Mint Bureau, Qiongzhou (Both in Present-day Szechuan)
Provenance: Da Chen Stamps and Coins Collection 2020
This coin is believed to be a “Jingde Yuanbao” iron coin of the denomination equivalent to ten standard copper coins. It was minted between AD 1005 and AD 1007, during the reign of Emperor Zhenzong of the Northern Song dynasty, specifically between the second and fourth years of the Jingde era. The term “equivalent to ten” signifies that this coin was intended to represent the value of ten small denomination coins.
The coin adopts the traditional form of Chinese coinage within the Sinosphere, featuring a round shape with a square central hole. Both the obverse and reverse exhibit a raised outer rim and an inner border, with a comparatively wide square aperture, showing traces of untrimmed casting flash. The inscription on the obverse reads “Jingde Yuanbao” in regular script, arranged in a clockwise order starting from the top. The character “Bao” appears elongated vertically, a feature commonly referred to as “long Bao”.
In the early Northern Song period, iron coins primarily circulated in the Sichuan region. The use of iron currency in Sichuan during the Song dynasty stemmed from severe local shortages of copper resources and poor transportation infrastructure, which led to chronic monetary scarcity. The practise of casting iron coins in Sichuan dates back to the Five Dynasties and Ten Kingdoms period. The Song government inherited this monetary practise and, in response to intensifying warfare and fiscal pressures during the mid-to-late Northern Song, expanded the issuance of iron coinage in Sichuan. Iron, being abundant and inexpensive to smelt, became the dominant local currency. To facilitate large transactions and reduce the inconvenience of carrying heavy coins, the government minted iron coins in various denominations, including equivalents of five, ten, and even ten large coins.
However, iron coins were coarse in quality, heavy, and prone to rust, which hindered their circulation. Their actual purchasing power often fell short of their nominal value, causing market disruptions and price volatility. Moreover, the lack of a stable exchange rate between iron and copper coins led to monetary imbalances and eroded public trust. In some instances, unauthorised private minting of iron coins emerged in Sichuan, further destabilising the local economy. Although the government later sought to replace iron currency with paper money, such as the jiaozi, iron coins continued to play a significant role in regional commerce.
Emperor Zhenzong of Song, Zhao Heng (r. AD 997–1022), was the third emperor of the Northern Song dynasty. During his reign, he carried forward the centralising policies of his predecessor, Emperor Taizong, and worked to strengthen state institutions. Politically, he heeded the advice of key ministers such as Kou Zhun, and in the first year of the Jingde era (AD 1004), personally led a military campaign to Chanyuan to confront the Liao dynasty. This ultimately resulted in a peace settlement known as the Treaty of Chanyuan, which established the framework of annual tribute and peaceful coexistence between Song and Liao, ushering in nearly a century of relative peace.
Domestically, Emperor Zhenzong implemented the “Three Departments Regulations Office” to enhance fiscal oversight, promoted agriculture and water conservancy, and introduced various cultural and educational reforms. He expanded the National Academy and promoted Confucian learning, placing great importance on imperial lectures.
Zhenzong was also deeply devoted to Daoism, frequently engaging in grand rituals of worship and the reception of celestial omens. This religious inclination was particularly evident during the Tianxi era, marked by the adoption of the era name “Dazhong Xiangfu” and the large-scale construction of temples and Daoist shrines. His efforts to invoke divine legitimacy through religious symbolism added a strong theocratic tone to his rule. Though criticised by later generations, these actions reflected his attempt to reinforce imperial authority through ritual and sacred mandates. In his later years, due to declining health, governance was overseen jointly by Empress Liu and the crown prince Zhao Zhen, who would later ascend the throne as Emperor Renzong.