Digital museum showcasing the collection of worldwide legends over the years! 千古不朽博物館展示多年來收藏的世界傳奇故事!
Northern Song Dynasty
Zhenghe Tongbao
(Two Cash & Iron Coin &Clerical Script &Flat-Kou He Version)
北宋
政和通寶
(折二鐵錢隸書扁口和版)
Item number: A2736
Year: AD 1111-1118
Material: Iron
Size: 31.7 x 31.7 x 2.8 mm
Weight: 10.8 g
Provenance: Da Chen Stamps and Coins Collection 2020
This piece is believed to be a “Zhenghe Tongbao” zhe’er (value two) iron coin, and is presumed to be a tin-alloyed specimen. It was minted during the reign of Emperor Huizong of the Northern Song dynasty, specifically from the first to the eighth year of the Zhenghe era (AD 1111–1118). The designation “zhe’er” indicates that it was valued at twice the denomination of a standard small coin.
The coin adopts the traditional form of a square-holed round coin characteristic of the Han cultural sphere. Both the obverse and reverse exhibit an outer rim and an inner border. The obverse inscription reads “Zheng He Tong Bao” in clerical script, arranged vertically from top to bottom and read from right to left. The character forms are deeply incised and sharply defined, with none of the four characters connecting to the central square hole or the surrounding rim. In particular, the “he” character features a horizontally compressed “kou” radical, referred to in numismatics as “flat-mouthed he.” A reflective greyish-white spot appears at the upper right of the obverse, possibly caused by the emergence of tin on the surface due to long-term environmental exposure, resulting in a thin layer of tin oxide; this phenomenon is known in numismatic terminology as “mercury patina.” The reverse is plain and without inscription.
During the Song period, the widespread use of iron coinage was primarily driven by copper shortages and mounting military expenditure. Particularly in the mid to late Northern Song, as warfare intensified in the northwest, the central government implemented iron coinage policies in regions such as Shaanxi, Hedong, and Liangzhe, aiming to conserve copper for weaponry and control frontier economies. Iron coins, being low-cost and easy to smelt, initially yielded practical benefits. However, their coarse quality, susceptibility to rust, and poor transportability severely impeded circulation. Furthermore, their inability to maintain parity with copper coins destabilised the market, causing price volatility and widespread public discontent. The Southern Song continued this policy in areas like Sichuan and Liangzhe, yet circulation issues persisted. Instances of unauthorised private iron coin casting emerged, exacerbating currency disequilibrium. In sum, iron coinage represented an expedient fiscal response under duress, capable of temporarily easing currency shortages but ultimately undermining public confidence and exacerbating economic hardship due to its inferior quality and systemic flaws.
The zhe’er iron coins circulated mainly in the late Northern Song across the Shaanxi Circuit, covering present-day Shaanxi and eastern Gansu. Owing to the copper scarcity and high military expenses in the northwestern frontier, the court resorted to minting iron coins as a cost-saving measure and to centralise control over military supply chains. Simultaneously, the inflow of copper coins into the Western Xia border was prohibited to weaken the enemy’s economy and restrict material outflow. Yet the inherent flaws of iron coinage—its fragility, impracticality for long-distance transport, and lack of public trust—posed significant challenges to regional markets. The inconsistent conversion rates between iron and copper coinage further destabilised the monetary system. The central government’s erratic economic policies and failure to establish a stable exchange and supply mechanism ultimately weakened frontline morale.
During the Chongning era of the Northern Song dynasty (AD 1102–1106), Cai Jing implemented the circulation of tin-alloyed iron coins, initially casting them in Shaanxi. An imperial edict stipulated that each coin was to be valued at two copper cash, reflecting its relatively high nominal value at the time of introduction. The policy was subsequently extended to other regions, and further issues were minted during the Zhenghe and Xuanhe periods. Most of these coins bore the denomination of zhe-er, or “equivalent to two cash.” However, the currency soon lost credibility in circulation, becoming intermixed with older iron coins, and its actual value gradually declined. According to the Shihuo Dian, the zhe-er iron coins used in Shaanxi at that time were worth only one copper cash on the market, indicating a significant depreciation in their purchasing power. The court consequently declared the tin-alloyed coins equivalent to zhe-er iron coins in official use, thereby shifting their standard of valuation from copper to iron.
Emperor Huizong of Song, Zhao Ji (reigned AD 1103–1135), was the eighth emperor of the Northern Song dynasty. He was renowned for his mastery of painting and calligraphy, creating the celebrated “Slender Gold” script and leaving a lasting legacy in Chinese art history. However, his reign was politically disastrous. He placed excessive trust in ministers such as Cai Jing and Tong Guan, leading to governmental corruption and mismanagement. During the Zhenghe era, he formed the maritime alliance with the Jin dynasty to jointly destroy the Liao regime, inadvertently inviting Jin aggression against the Song. In AD 1126, the capital Bianjing fell in the Jingkang Incident, and in the following year, Huizong, along with his son Emperor Qinzong and members of the royal family, was captured and exiled to Wuguo Fortress in the north, marking the fall of the Northern Song. Huizong died in captivity.