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Xin Dynasty,
Huo Quan
(Type C &Single Inner Border &Broad Rim)
新朝
貨泉
(C型&單郭闊輪)
Item number: A2715
Year: AD 14-23
Material: Bronze
Size: 21.3 x 21.3 x mm
Provenance: Da Chen Stamps and Coins Collection 2015
This is a “Huo Quan” coin circulated between the first year of Tianfeng and the fourth year of Dihuang during the Xin dynasty (AD 14–23). Its form, featuring a round shape with a square central hole, follows the design of earlier Banliang and Wuzhu coins.
The obverse of the coin includes both an outer rim and an inner border; the outer rim is relatively wide, while the inner border consists of a single line, with a possible casting flaw observed at the upper section of the border. The inscription “Huo Quan” is written in hanging-needle seal script (xuanzhen zhuan) and is read from right to left. This script style is characterised by strokes that are thick at the top and taper toward the bottom, with a structural composition that is dense in the upper portion and more open below. The character “Quan” appears to be in an alternate form, with its central vertical stroke seemingly unbroken. The use of “Quan” (泉) in place of “Qian” (錢), meaning “money,” was due to naming taboos during the reign of Wang Mang, who avoided the character “Liu” (劉), the imperial surname of the Han dynasty. Since the character “Qian” contains the “metal” (金) radical—phonetically and graphically linked to “Liu”—it was renamed accordingly.
The reverse is plain and without inscription, with both outer rim and inner border intact. Compared with historical specifications and excavated specimens, this coin is relatively small, and may have been privately cast.
In AD 6, Wang Mang assumed control of the Han court under the title of Acting Emperor (Jushe), and later proclaimed himself emperor, founding the Xin dynasty. Between AD 7 and 14, in an effort to consolidate central power and gain popular support through wealth redistribution, the coinage system was reformed four times. Wang Mang, influenced by the Zhou dynasty’s doctrine of matched mother and child coins, repeatedly introduced coins of varying names and denominations, many of which were undervalued. At its peak, the system comprised five materials and six names, amounting to twenty-eight types of currency. The legal framework became excessively complex, leaving the populace confused and disoriented. Each reform triggered economic and social upheaval, with contemporary records stating that “the people were bankrupted and fell into severe punishment.”
In the first year of Tianfeng (AD 14), surplus coinage was prohibited, and the “Huo Quan” and “Huo Bu” coins were minted. Twenty-five Huo Quan coins equalled one Huo Bu, and each Huo Quan coin weighed five zhu. In the fourth year of Dihuang (AD 23), the Xin dynasty was overthrown. In the second year of Gengshi (AD 24), Liu Xuan, the Gengshi Emperor, minted Wuzhu coins, but he was killed the following year by the Red Eyebrow Army. In the third year of Gengshi, Liu Xiu declared himself emperor and established the Jianwu reign. In the seventeenth year of Jianwu (AD 41), Wuzhu coins were reissued, remaining in circulation for over five centuries. However, Huo Quan coins continued to be used sporadically in the market, possibly until the accession of Emperor Ming of Han in the first year of Yongping (AD 58).
Wang Mang (c. 45 BC–AD 23) was a member of the Wang clan, a prominent consort family of the Western Han dynasty, and was deeply influenced by Confucian thought. Known for his upright character, he rose swiftly through the ranks of government as the nephew of Empress Wang Zhengjun, consort of Emperor Yuan of Han. In AD 9, Wang Mang seized the throne and established the Xin dynasty. Claiming to restore ancient institutions, he enacted sweeping reforms in land ownership and currency systems to create an ideal Confucian society. However, his reforms were overly idealistic and poorly attuned to social and economic realities, ultimately inciting widespread unrest and rebellion. He was killed during the Red Eyebrow uprising, and has since remained a controversial figure—viewed variously as a usurper or a visionary reformer.