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Taiping Heavenly Kingdom
Shengbao
(Type VI & Forgery)
太平天國
聖寶
(第六類&仿製品)
Item number: A2758
Year: AD 1854-1864
Material: Paktong
Size: 22.1 x 22.0 x 0.9 mm
Weight: 3.2 g
Provenance: Da Chen Stamps and Coins Collection 2019
This is a copper coin purportedly issued under the regime of the Taiping Heavenly Kingdom in its fourth year, corresponding to AD 1854 (Xianfeng 4), but it is likely a forgery.
The coin adheres to the traditional design of round coins with a square hole, as seen throughout the Sinosphere. The obverse bears the inscription “Taiping Tianguo” (“Taiping Heavenly Kingdom”), read vertically from top to bottom and right to left, in a style approximating regular script. The characters “Tai”, “Ping”, and “Tian” are linked to the outer rim. The character “Tian” (“Heaven”) is written with a longer upper horizontal stroke and a shorter lower stroke, reflecting reverence for the Heavenly Father. The character “Guo” (“Kingdom”) appears in an archaic variant “囯”, substituting the radical “王” (king) in place of “玉” (jade), symbolising the belief that Jehovah had conferred kingship upon Hong Xiuquan, the Heavenly King, thereby placing the king at the centre of the kingdom. According to the Imperially Sanctioned Catalogue of Reverential Avoidance, all official documents adhered to this usage, and the character “囯” was exclusively reserved for internal reference; foreign states were referred to as “郭”. The coin is composed of what is referred to as “white copper”. While the modern definition of white copper refers specifically to a copper-nickel alloy—documented as early as the Qianlong reign—whether this specimen conforms to such a nickel-based composition, or rather represents the traditional form of white copper comprising high-tin bronze, brass with zinc, lead, or arsenic, remains a question requiring further metallurgical analysis.
The reverse of the coin bears the inscription “Shengbao” (“Sacred Treasure”) in horizontal alignment, read from right to left. “Shengbao” was a denomination coined by the Taiping regime and has no precedent in previous dynasties. The term “Sheng” (“Sacred”) was strictly reserved for the Heavenly Father and the Heavenly King, signifying that the coin was issued under divine authority. However, the strokes of the characters on both the obverse and reverse are thin and feeble, lacking structural coherence, and the thickness within individual strokes is inconsistent. The inner rim is misaligned and off-centre, contrasting starkly with the finely executed outer rim, suggesting inconsistency and possible forgery. Furthermore, both sides of the coin display traces of “yantai”—a smoke-blackening process used to artificially age coins—which has partially flaked off over time. The coin may be a recast or re-engraved replica and is unlikely to be genuine.
In AD 1853 (Xianfeng 3), the Taiping army captured Nanjing and established it as their capital under the name “Tianjing” (“Heavenly Capital”). From this base, the Taiping regime instituted court rituals and administrative structures, promulgated the Heavenly Land System to implement land redistribution, and began minting currency for military purposes, which commenced the following year. The initial issues were of high quality, clearly distinguishable from the devalued large coins and paper currency recklessly issued by the Qing court since the Daoguang era. Nonetheless, despite the circulation of these coins, few dared to use them, as the Heavenly Land System abolished private property and criminalised the possession of more than ten coins. Merchants, wary of dealings with a hostile regime, also refrained from engaging in trade. However, as the Taiping forces expanded their territory and influence, Taiping coinage began to spread from the Hunan-Hubei region to surrounding areas, and persisted even within Qing-controlled zones despite official prohibitions.
Due to the absence of unified coinage regulations in Tianjing, and the decentralised authority exercised by various princes in later years, coinage practises varied widely across the Taiping domains. In terms of materials, coins were made from red copper, purple copper, white copper, gold, silver, lead, iron, and tin. Based on inscriptions and physical forms, Taiping coins can be broadly classified into six categories: large denomination coins; coins with “Taiping Tianguo” on the obverse and no reverse inscription; coins bearing the inscription “Tianguo Tongbao”; coins with “Taiping” or “Tianguo” on the obverse and “Shengbao” inscribed vertically on the reverse; coins with “Taiping Tianguo” on the obverse and “Shengbao” also inscribed vertically on the reverse; and coins with “Taiping Tianguo” on the obverse and “Shengbao” inscribed horizontally on the reverse. The script used is predominantly Song-style, followed by regular script.
After the establishment of the Republic of China, the Taiping Rebellion came to be viewed as a precursor to anti-Qing revolution and republican thought. Its legends and anecdotes gained widespread popularity, and artefacts attributed to the movement were frequently counterfeited to satisfy collector demand. As noted by Wei Juxian in History of Chinese Archaeology, “In past years, the Guangxi provincial government collected historical materials related to the Taiping Heavenly Kingdom, and merchants in Hangzhou seized the opportunity to mass-produce forged Taiping coins for sale.” The present specimen may have been produced during that time.
The Taiping Heavenly Kingdom was the largest mass uprising in mid-19th century China, founded by Hong Xiuquan. It originated with the Jintian Uprising in Guangxi and was rooted in the doctrines of the God Worshipping Society, advocating anti-Qing sentiments and the restoration of Han rule through the establishment of a “Heavenly Kingdom of Great Peace”. The regime combined theocratic and autocratic rule, appointing five principal kings—East, West, South, North, and Wing—to oversee centralised governance under military command. Its political appeal stemmed from a confluence of social unrest, economic hardship, and religious zeal, enabling it to expand rapidly and shake the foundations of Qing rule. Despite early military successes, internal divisions, external pressures, and systemic contradictions led to its eventual downfall when Tianjing was captured in AD 1864 (Tongzhi 3) by the Xiang Army under Zeng Guofan. Nonetheless, the movement exposed profound societal contradictions and presented reformist ideals that later inspired revolutionary organisations such as the Revive China Society and the Tongmenghui.