Ming Dynasty

Jiajing Tongbao

(wide grass, right-shifted bei, broad-running tong Version)

明 嘉靖通寶

(廣草右移貝大走通版)

Item number: A3668

Reference number: LZ-DMQP#0872

Year: AD 1527-1567

Material: Brass

Size: 30.1 x 30.2 x 2.0 mm

Weight: 3.2 g

Provenance: Spink 2023

This is a Jiajing Tongbao small cash coin first cast in AD 1527, the sixth year of the Jiajing reign, by the Ming Emperor Shizong, Zhu Houcong, who issued it under his reign title.

The coin follows the traditional Sinosphere form of a round coin with a central square hole. The obverse bears the inscription “嘉靖通寶” (Jiajing Tongbao), read vertically from top to bottom and right to left. In the character jia (嘉), the “艹” radical is broader than usual, a variant referred to as “wide grass.” In the character tong (通), the strokes of the “辶” radical extend to touch both the rim and the inner hole, known as “broad-running tong.” In the character bao (寶), the vertical axis of the “貝” radical is noticeably shifted to the right of the central axis of the whole character, a form described as “right-shifted bei.” The calligraphy of the inscription is stiff and lacks modulation, suggesting that this specimen may be a jiao dao qian (“engraved knife coin”)—a coin recast from a repaired mould whose characters had been re-engraved to correct unclear lines. It was possibly produced from recycled official material or privately copied.

The reverse is plain and uninscribed, with the inner rim slightly raised at the four corners, forming faint “cut marks.”

During the reign of Emperor Shizong of the Ming (AD 1522–1566), excessive issuance of baochao paper notes and shortages of metallic currency caused increasing disorder in the monetary system. The private casting of coins, already widespread since the Zhengde period, became even more rampant under Jiajing, particularly in the coastal and southwestern provinces. In Fujian, Guangdong, Jiangxi, and Yunnan, large-scale private minting flourished, and these coins were even exported to Jiaozhi (Vietnam) and Guangxi. Government prohibitions repeatedly failed to stop the practice. In AD 1524, the third year of the reign, the government fixed the exchange rate at seventy wen of good coins or one hundred and forty wen of inferior coins per qian of silver, but six years later, the market was almost entirely flooded with privately cast coinage.

The coins produced at the time were of generally poor quality. Owing to a shortage of copper, large amounts of lead, tin, and iron were added to the alloy, resulting in thin, dull, and irregular coins. Private coins were even worse, commonly made of lead–copper alloys, or entirely of lead or iron, with some fashioned by cutting iron sheets into coin shapes. These coins were light, brittle, and crudely made, with blurred inscriptions and off-centre holes, and possessed little intrinsic or exchange value. In popular usage, inferior coins were known by names such as “倒三錢,” “倒四錢,” and “折六錢,” meaning that their real worth was only one-third, one-quarter, or one-sixth of a standard coin. Later, even more debased types known as “倒九” and “倒十” appeared.

The Jiajing Tongbao was first officially minted in AD 1527, marking the Ming government’s first large-scale use of brass smelting technology in coinage. Its initial composition was 90.9 per cent brass and 9.1 per cent tin, with each coin weighing 1.2 qian. By AD 1563, the composition was altered to nine parts copper and one part tin, and the weight increased slightly to 1.3 qian. Contemporary records mention a variety of Jiajing coin types, including those known as “golden reverse,” “fire lacquer,” and “lathed edge.” The so-called “golden reverse” coins likely acquired their name either from their fine craftsmanship and bright yellow hue or from being refined brass recast four times. “Fire lacquer” coins were said either to have been darkened by heating or chemically blackened, possibly representing twice-refined brass. “Lathed edge” coins were produced with turned edges using a lathe; this technique was later abandoned as too costly, and coins were thereafter filed by hand, producing coarser rims.

In AD 1544, the twenty-third year of the reign, the government issued large-denomination coins modelled after the Hongwu standard. These included four types valued at two, three, five, and ten wen, with thirty thousand pieces of each stored in the imperial treasury. A few such coins survive today but are extremely rare; their reverses often bear inscriptions recording their weight.

Although official minting technology improved during the Jiajing period, production remained limited due to copper shortages, poor alloy quality, and high costs. Official coins could not compete with the overwhelming volume of privately cast issues. As a result, good-quality coins gradually disappeared from circulation, and the monetary system fell into disorder. By the later years of the reign, one liang of silver exchanged for several thousand wen of copper, as copper coins—especially privately cast ones—lost value. Silver increasingly replaced copper as the principal medium of exchange.

In AD 1554, the government attempted to restore monetary order by classifying coins into three grades. High-quality coins such as Jiajing and Hongwu issues, as well as other well-preserved older types, were to be valued at seven wen per silver fen; medium-quality coins at ten wen per fen; and inferior coins at fourteen to twenty-one wen per fen, with damaged coins prohibited. The policy, however, proved short-lived, as both officials and commoners continued to trade at market rates. By the end of the reign, copper coins were used only for petty transactions, while silver had become the primary currency throughout the empire.

Emperor Shizong of the Ming, personal name Zhu Houcong, reigned from AD 1521 to 1566 and was a cousin of the previous emperor, Wuzong. In AD 1521, upon the death of Wuzong, who left no heir, the Minister of Rites, Yang Tinghe, escorted Zhu Houcong to the throne, where he adopted the reign title Jiajing. Intelligent and learned in his youth, he valued Confucian orthodoxy and initially sought to reduce the power of eunuchs and the imperial clans, restoring civil authority and achieving a brief period of political order. The subsequent “Rites Controversy” over imperial ancestral titles, in which he insisted on posthumously honouring his biological father rather than his adoptive one, led to bitter conflict with his ministers and lasting factional strife. In his later years, he became deeply devoted to Taoism and alchemy, rarely attending court, and entrusted state affairs to the Grand Secretariat and eunuchs. The Yan family dominated government for more than two decades, corruption spread widely, and the state weakened. During his reign, Mongol incursions from the north and Japanese piracy in the south repeatedly threatened the empire, though generals such as Yu Dayou and Qi Jiguang were appointed to strengthen defences. The emperor’s religious zeal led him to conduct elaborate Taoist rituals, build altars, and seek elixirs of immortality, consuming vast resources. In declining health and increasingly reclusive in his later years, he neglected government entirely. He died in AD 1567 at the age of sixty and was posthumously honoured as Emperor Gong, with the temple name Shizong.

物件編號: A3668

參考書目編號: LZ-DMQP#0872

年代: 公元 1527-1567 年

材質: 黃銅

尺寸: 24.7 x 24.6 x 1.0 mm

重量: 3.2 g

來源: 斯賓克拍賣行 2023

這是一枚嘉靖六年(公元1527年)起,明世宗朱厚熜以其年號所鑄造的「嘉靖通寶」小平錢。

錢幣形制為漢文化圈傳統的方孔圓錢。錢面錢文為「嘉靖通寶」,由上至下,由右至左對讀。「嘉」字「艹」旁較寬,稱「廣草」;「通」字「辶」旁筆劃延伸,接穿連輪,稱「大走通」;「寶」字「貝」旁中軸位於「寶」字中軸右方明顯,稱「右移貝」。錢文書法僵硬,提按不顯,疑為加刀錢,即對原錢字口不清之處,刀刻修整後以此再重鑄之錢。可能來源於官局之廢舊利用,或私人仿鑄。

錢幕則光素無文,內廓四角微凸似決紋。

明世宗嘉靖年間(公元1522年至1566年),由於濫發寶鈔加以貨幣不足,明代的貨幣制度日益紊亂。自正德以來私鑄之風已盛,至嘉靖時愈演愈烈,沿海及西南地區尤為嚴重。福建、廣東、江西、雲南等地民間私鑄錢幣,規模廣大,甚至輸往交趾、廣西等地。政府屢禁不止。嘉靖三年曾定好錢七十文折銀一錢,惡錢一百四十文折銀一錢,但六年之後,市場上流通者幾乎盡為私鑄錢。

當時所鑄錢幣多質地低劣。由於銅料不足,鑄造中混入鉛、錫、鐵等雜質,錢體輕薄,色澤黯淡,形制不整。民間私鑄尤甚,其材質多為鉛銅合金或全鉛、全鐵,甚至有以鐵皮剪成錢形者。這些錢幣普遍重量不足,文字模糊不正,穿孔偏斜,表面粗糙,流通價值極低。各地對劣幣有不同稱呼,如「倒三錢」「倒四錢」「折六錢」等,意即其實際價值僅為正錢之三分之一、四分之一、六分之一,後來甚至出現「倒九」「倒十」之類更低劣的錢。

嘉靖六年(公元1527年)始鑄「嘉靖通寶」,並首次在官局大規模採用黃銅冶煉技術。其成色為黃銅百分之九十點九、水錫百分之九點一,每文重一錢二分。至嘉靖四十二年(公元1563年),成色改為銅九錫一,每文重一錢三分。嘉靖錢的名目繁多,史籍中記載有「金背」、「火漆」、「鏇邊」等名號。所謂「金背」,或因銅質純良、製作精細、色澤泛金而得名,有說為黃銅經四次鎔煉;「火漆錢」則一說以火熏黑,一說以藥滅之使色黑,亦有說為黃銅經二次鎔煉;「鏇邊」為以鏇車磨輪,後因費工改用銼修,故邊郭轉為粗糙。

嘉靖二十三年(公元1544年),朝廷又仿洪武制鑄大錢,有折二、當三、當五、當十等四種,各鑄三萬文貯庫。此類大錢今尚有傳世者,但數量極為稀少,背面多有紀重文字。

雖然官方鑄錢技術有所改進,但因銅料匱乏、用料不精與成本高昂,實際產量有限,無法對抗私鑄錢幣之氾濫。官錢難與劣質私錢並行流通,市面上良幣日減,貨幣秩序逐漸崩壞。至嘉靖後期,市場上每兩銀折合數千文,銅錢(尤其是私錢)日益貶值,白銀遂逐漸取代銅錢,成為主要的交易媒介。

嘉靖三十三年(公元1554年),朝廷也曾試圖以幣值分級整頓貨幣,將錢幣分為上、中、下等:上等如嘉靖錢、洪武錢、前朝好錢七文折銀一分,中等十文折銀一分,下等十四至二十一文折銀一分,破裂不堪者禁用。但制度推行未久即難以為繼,官民仍以市價相易。至嘉靖末年,銅錢已僅作零星交易之用,而白銀則普遍取代銅錢成為流通主體。

明世宗嘉靖帝,名朱厚熜,公元1521-1566年在位,為明武宗朱厚照之堂弟。正德十六年(公元1521年)武宗崩,因無子嗣,由禮部尚書楊廷和奉迎朱厚熜入繼大統,改元嘉靖。嘉靖帝早年聰穎勤學,重視名教與經學,初政之時削奪外戚與宦官權勢,恢復文官主導,政風一度清明。然「大禮議」爭端起於宗法之辯,嘉靖帝堅持追尊生父興獻王為皇,與群臣對立,致使朝廷自此黨爭不息。中期以後,嘉靖帝漸信方士,沉迷道教煉丹,久居西苑不視朝,政務委諸內閣與宦官。嚴嵩父子專權二十餘年,賄賂橫行,國政日衰。其間北方蒙古入寇,南方倭患頻仍,沿海受擾,雖命俞大猷、戚繼光整軍禦敵,仍屢受威脅。嘉靖帝篤信道教,崇奉張太虛、陶仲文等方士,屢設齋壇煉丹,搜求仙藥,耗費巨資。晚年體衰多病,性情孤僻,政事荒弛。隆慶元年(公元1567年)正月駕崩,享年六十歲,廟號世宗,諡號恭皇帝。

類似/相同物件 請看:

臺灣 國立歷史博物館 National Museum of History

https://collections.culture.tw/Object?SYSUID=14&RNO=NzgtMDA1NDM=

日本銀行金融研究所貨幣博物館 Currency Museum

https://www.imes.boj.or.jp/cm/research/nihonkahei_1/001001/036/2108_1/html/001.html

更多相關訊息請參考:

刘徵主编,《大明泉谱》,北京:中国商业出版社,2009。 (LZ-DMQP#)

中国钱币大辞典编纂委员会主编,《中国钱币大辞典·元明编》,北京:中华书局,2012年。

彭信威,《中国货币史》,北京:中国人民大学出版社,2020。

肖韞英,〈明代錢幣合金成分轉變初探〉,《西安市:西安金融》,(2004),頁61-62

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