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Order of Kim Khánh
Third Class
(Miniature)
Emperor Thành Thái
成泰帝時期
勞能可獎三等金磬
(迷你版)
Emperor of Annam, Thành Thái, with the Kim Khánh Source:Vietnam National Museum of History (https://baotanglichsu.vn/vi/Articles/3098/15571/hoang-dje-thanh-thai-vi-vua-yeu-nuoc-cua-vuong-trieu-nguyen.html)
Item number: M423
Year: AD 1889-1907
Material: Gold
Size: 29.2 x 49.8 x 1.7 mm
Weight: 11.05 g
Provenance: Spink 2023
This piece is a miniature version of the third-class Kim khánh awarded exclusively to men during the reign of Thành Thái, the tenth emperor of the Nguyễn dynasty, who ruled between AD 1889 and 1907.
The Kim khánh takes the form of a traditional Vietnamese ritual percussion instrument, resembling a bat or butterfly with outspread wings and bordered by curvilinear scrolls. The obverse bears the inscription “Thành Thái sắc tứ”, indicating that it was an official bestowal by Emperor Thành Thái. The reverse reads “Lao năng khả thưởng”, expressing that the recipient’s talent and diligence merited commendation.
At its upper end, the gold plaque is suspended by a red cord, allowing it to be worn around the neck or attached to the wearer’s garment; during periods of mourning, a green cord was used instead. When worn, the cord might also be adorned with strings of beads or other pendants. Beneath the plaque is a finely crafted decorative knot and four tassels in green, red, and purple.
Although the khánh was occasionally awarded under earlier Nguyễn rulers, it was not institutionalised, and earlier pieces were probably kept as collectibles rather than worn. During the reign of Thành Thái, the award gradually became standardised into either a four-class or three-class system. The special and first classes bore the inscription “Báo nghĩa thù huân” (repaying righteousness and rewarding merit); the second class carried “Gia thiện sanh năng” (praising virtue and ability); and the third class used “Lao năng khả thưởng” (rewarding labour and talent). The ornamentation and tassel form were also progressively fixed, with the decorative motifs shifting towards imperial dragon patterns emphasising royal authority.
In AD 1907, Emperor Thành Thái, dissatisfied with French interference in his authority to appoint officials, was deposed by the French, who installed his seven-year-old son Duy Tân as the new ruler. As Duy Tân grew older, his discontent with French dominance in Vietnam intensified. In AD 1916, the revolutionary organisation Quang Phục Hội secretly contacted Duy Tân, planning to exploit France’s distraction during the First World War and the reluctance of Vietnamese soldiers to be deployed to Europe to launch an uprising. Duy Tân expressed support, but the rebellion ultimately failed. Refusing to remain a puppet of the French, he abdicated and was exiled together with his father Thành Thái to Réunion, a French colony in the Indian Ocean.
During his exile on Réunion, Duy Tân refused financial assistance from the French authorities, instead supporting himself by repairing radios. He later taught himself foreign languages and enrolled in a law school. In AD 1942, during the Second World War, he joined the Free French forces and served in the Free French Navy, in which he attained the rank of lieutenant commander by the war’s end. Meanwhile, Bảo Đại, who had cooperated with the Japanese during the war, was forced to abdicate by Hồ Chí Minh’s Việt Minh. The French government under Charles de Gaulle hoped to restore Duy Tân to the throne to bolster French influence in Vietnam. However, the transport aircraft carrying him back to Vietnam crashed in Central Africa, and Duy Tân died at the age of 45.