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Ming Dynasty
Xuande Tongbao
(Cornering Dot Tong Version)
明 宣德通寶
(折點通版)
Item number: A3851
Year: AD 1433-1435
Material: Bronze
Size: 24.6 x 24.8 x 0.9 mm
Weight: 3.5 g
Provenance: Spink 2023
This is a copper cash coin bearing the reign title Xuande Tongbao, cast during the reign of the fifth Ming emperor, the Xuande Emperor, beginning in Xuande 8 (AD 1433), in accordance with the reigning era name.
The coin conforms to the traditional square-holed round form characteristic of the Sinosphere. The obverse inscription Xuande Tongbao is written in regular script and is to be read vertically from top to bottom and horizontally from right to left. In the character tong (通), the initial dot is rendered as an angular stroke. The reverse is plain and uninscribed.
The early Ming monetary system was gradually reconstructed against the backdrop of fiscal collapse and the complete erosion of confidence in paper currency at the end of the Yuan dynasty. Its central objective was to restore state control over the issuance and circulation of money, thereby underpinning the new dynasty’s systems of taxation, military expenditure, and administrative finance. In the late Yuan period, the indiscriminate issuance of paper notes (Zhizheng notes) had resulted in severe inflation, bringing public trust in paper currency close to total collapse. After founding the dynasty, the Hongwu Emperor Zhu Yuanzhang, though fully aware of the dangers inherent in monetary disorder, nevertheless—guided by a political ideology that sought to exclude gold and silver while prioritising agriculture and restraining commerce, and constrained by the limited metallic resources and minting capacity of a newly established state—opted for a plural monetary system in which paper money served as the nominal core, supplemented by copper coinage and payments in kind. The Great Ming Treasure Notes, formally promulgated in Hongwu 8 (AD 1375), were designated as legal tender, and strict statutes were enacted to prohibit the private circulation of gold and silver, in an attempt to establish a paper currency regime underwritten by state authority rather than a metallic standard.
In practice, however, the early Ming monetary order was not a simple “paper money economy” but a highly administrative and composite system. The circulation of the Great Ming Treasure Notes depended critically on coordination with the tax regime, particularly a fiscal structure grounded in payments in kind. During the Hongwu reign, land taxes, corvée obligations, and military supplies were largely collected and disbursed in the form of grain, textiles, and other physical goods. Paper notes were primarily employed for official disbursements, commuted military payments, and nominal pricing in market transactions. Their credibility derived not from convertibility into metal but from state coercive power and fiscal arrangements. Within this framework, copper cash functioned in a subsidiary capacity, facilitating small-scale transactions and local circulation; yet owing to shortages of copper and instability in minting, it was never able to supplant paper money as the institutional core. As treasure notes continued to be overissued without effective mechanisms for withdrawal, their purchasing power declined rapidly, prompting the market to turn increasingly toward payments in kind and valuation in silver, thereby creating a growing disjunction between institutional design and economic reality.
During the Xuande period, a series of reforms in monetary, fiscal, and taxation policy were initiated. In Xuande 1 (AD 1426), restrictions on gold and silver were gradually relaxed: while reiterating formal prohibitions, the Xuande Emperor adopted more flexible measures such as fines payable in paper notes, simultaneously encouraging their use and facilitating the withdrawal of older issues. By Xuande 3 (AD 1428), over-issuance persisted and the note system became obstructed, prompting the Ming court for the first time to impose controls on the total volume of emissions. In Xuande 4 (AD 1429), the range of commercial taxes permitted to be paid in paper notes was expanded. In Xuande 8 (AD 1433), the Ministry of Works in Nanjing and the provincial administrations of Zhejiang, Jiangxi, Fujian, and Guangdong were ordered to cast Xuande Tongbao coins. Numerous varieties are known, though their workmanship is generally regarded as inferior to that of Yongle Tongbao. Moreover, as copper materials were sourced largely from remelted old coins and scrap, the alloy quality was unstable; one recorded example consists of approximately 73.68 per cent copper, 7.36 per cent tin, and 18.23 per cent lead.
The Xuande Emperor, Zhu Zhanji, reigned from AD 1425 to 1435. He was the grandson of the Yongle Emperor Zhu Di and the son of the Hongxi Emperor Zhu Gaochi. Upon accession, he continued the lenient governance associated with his predecessor, swiftly terminating military operations in Annam and formally withdrawing troops in Xuande 2, recognising its independence in order to reduce frontier and fiscal burdens. In the north, he maintained defensive arrangements against the Oirats and Tatars, personally leading an expedition beyond the frontier in Xuande 9 and engaging Oirat forces in the Gaoling region. In domestic administration, he emphasised official discipline and the suppression of corruption, entrusting state affairs to Grand Secretaries such as Yang Shiqi, Yang Rong, and Yang Pu, thereby establishing a relatively stable decision-making structure; in response to regional disasters, he repeatedly issued edicts remitting taxes and levies. The Xuande period also marked the final maritime expedition of the Ming dynasty, with Zheng He completing his return voyage in Xuande 8. Culturally, the emperor himself excelled in calligraphy and painting, oversaw the compilation of texts, and presided over a court renowned for its achievements in painting and ceramic production, most notably the Xuande blue-and-white porcelains and bronzes produced at the imperial kilns of Jingdezhen.