Northern Song Dynasty

Songyuan Tongbao

(Yongding-Kaiyuan Type Version)

北宋

宋元通寶

(永定-開元手版)

Item number: A3898

Year: AD 1546-1564

Material: Bronze

Size: 22.0 x 22.1 x 0.5 mm

Weight: 1.9 g

Provenance: Spink 2023

This coin is plausibly a Vietnamese imitation produced under the later Mạc dynasty, possibly under Mạc Phúc Nguyên. Its prototype is the “Songyuan Tongbao”, first cast in AD 960, the first year of the Jianlong reign, by Emperor Taizu, the founding emperor of the Song dynasty, and the earliest coinage issued by the Song.

The coin conforms to the Sinosphere tradition of the round coin with a square central perforation. The obverse bears the clerical-script inscription “Songyuan Tongbao”, read in paired sequence from top to bottom and from right to left. The character “Song” is rendered in a form approaching regular script, while “Yuan”, “Tong”, and “Bao” are executed in a clerical style comparable to that on the Tang “Kaiyuan Tongbao”. The calligraphy is relatively large. In the character “Tong”, the basal stroke of the “chuo” (辶) component is executed with an angular turn; the initial horizontal stroke of “Yuan” is comparatively long; and “Bao” is blurred and poorly defined. Apart from black corrosion, the surface shows a reddish copper tone. The reverse field is plain and uninscribed.

In both calligraphic style and metallic appearance, the inscription resembles that of “Yongding Tongbao”, an issue imitating the Tang “Kaiyuan Tongbao” attributed to Emperor Tuyên Tông of the Mạc dynasty, Mạc Phúc Nguyên. For this reason, it is classified as “Kaiyuan-style” (Kaiyuan shou), and is also referred to as “Jingxing-style of a separate furnace” (bie lu Jingxing shou). Nevertheless, since later Mạc coinage was predominantly cast in bronze, this attribution remains open to question.

Zhao Kuangyin, Emperor Taizu of Song, reigned from AD 960 to AD 976 as the founding emperor of the Northern Song. With a military background, he achieved repeated successes under Emperor Shizong of the Later Zhou and came to control the elite palace forces. In AD 960, at Chenqiao Station, he was acclaimed by his troops and donned the imperial yellow robe in what is traditionally termed the “Chenqiao Mutiny”, thereby ascending the throne, founding the Song dynasty, and adopting Jianlong as the reign title. After his accession he pursued a strategy of “pacifying the south before turning north”, gradually eliminating the southern regimes and laying the groundwork for Northern Song reunification.

Recognising that the turbulence of the Five Dynasties period stemmed from powerful regional military governors and the dominance of armed men in politics, Zhao Kuangyin adopted the policy later encapsulated as “releasing military authority over a cup of wine”, persuading veteran commanders to relinquish their commands and resettling them with generous provisions. Military power was thus recentralised, and the civil bureaucracy strengthened. This helped to establish the Song political pattern of privileging civil governance over military power and reduced the danger of warlord separatism, though it has also been regarded as a long-term contributing factor to later military weakness.

In domestic administration, he rectified officialdom, emphasised the civil service examinations, promoted scholars of humble origin, and reinforced centralised authority and fiscal institutions. In foreign policy, he adopted a dual strategy of offence and defence in dealing with Northern Han and the Khitan. His reign was comparatively stable, and the economy gradually recovered, inaugurating the conditions for subsequent Song prosperity. He died in AD 976 and was succeeded by his brother Zhao Guangyi, Emperor Taizong of Song.

The coinage system of the Northern and Southern Song was complex. Copper and iron served as official coin metals, operating alongside paper money, while silver gradually assumed increasing importance. Copper coin denominations ranged from equivalent values of one to ten. Regional circuits cast coin according to local needs: some used only copper coin, some only iron coin, and others employed both. Calligraphic styles likewise varied widely, including regular, clerical, seal script, and the so-called Slender Gold style, among others.

Mạc Phúc Nguyên (Mạc Tuyên Tông) reigned from AD 1546 to AD 1564 as the fourth emperor of the Mạc dynasty. Shortly after his accession he faced a succession dispute driven by powerful local magnates manipulating members of the imperial clan, severely weakening the regime. At the same time, as the Lê–Trịnh coalition continued its northern campaigns and the Mạc state steadily declined, the dynasty’s effective control contracted sharply to Thăng Long (in parts of the Red River Delta in northern Vietnam). The court was compelled to rely on military commanders, fortified positions, and geographical barriers to resist the advancing Trịnh forces. During his reign, Mạc Phúc Nguyên sought to consolidate authority, pacify localities, and adjust military deployments, resulting in a prolonged stalemate with the Lê–Trịnh coalition, before he died after contracting smallpox.

After the Mạc dynasty was overthrown in AD 1592, it retreated north to Cao Bằng, sustained intermittently by intervention from the Ming and Qing polities, and was not finally extinguished by the Trịnh lords of the Later Lê until AD 1677.

物件編號: A3898

年代: 公元 1546-1564 年

材質: 青銅

尺寸: 22.0 x 22.1 x 0.5 mm

重量: 1.9 g

來源: 斯賓克拍賣行 2023

這是一枚可能為越南末朝莫福源所仿,原於建隆元年(公元960年),宋朝開國皇帝宋太祖所鑄造的「宋元通寶」,為宋朝鑄造的第一款錢幣。

錢幣形制為漢文化圈傳統的方孔圓錢。錢面錢文隸書「宋元通寶」,自上而下,自右而左對讀。「宋」字近楷書。「元、通、寶」同唐開元通寶之隸書。字體較大。「通」字「辶」旁底劃折筆;「元」字首橫劃較長;「寶」字漫漶。顏色除黑鏽外,顯出紅銅色。錢幕光素無文。

錢文風格與材質類似越南莫朝宣宗莫福源仿唐「開元通寶」錢文所仿鑄之「永定通寶」,故稱「開元手」,也有稱「別爐景興手」者。但因後莫朝多用青銅,故仍有疑義。

宋太祖趙匡胤,為北宋開國皇帝,公元960至976年在位。其出身軍旅,後周世宗時屢立戰功,掌握禁軍實權。公元960年於陳橋驛黃袍加身,發動兵變,史稱「陳橋兵變」,在將士擁戴下即帝位,建立宋朝,改元建隆。其即位後奉行「先南後北」策略,逐步削平南方諸國,為北宋統一奠定基礎。

趙匡胤深知五代以來藩鎮跋扈、武人專權為政局動盪之源,故採取「杯酒釋兵權」之策,勸說宿將交出兵權,改以優厚待遇安置,使軍權收歸中央,強化文官體制。此舉奠定宋代重文抑武的政治格局,減少軍閥割據之患,但亦為後世軍力黯弱的遠因。

在內政方面,他整飭吏治,重視科舉,提拔寒門士人,強化中央集權與財政制度;對外則與北漢、契丹保持攻守並行的策略。其統治時期社會相對安定,經濟逐漸恢復,為宋代繁榮開啟序幕。公元976年崩逝,其弟趙光義即位,是為宋太宗。

兩宋幣制複雜,正式行用的幣材便有銅鐵兩種,配合紙幣相權。白銀則逐漸佔有重要地位。銅幣面額折一至折十不等。各路依需求各自鑄錢,有些只用銅錢,有些只用鐵錢,有些銅鐵兼用。字體則楷書、隸書、篆書、瘦金體等不一而足。

莫宣宗莫福源(Mạc Tuyên Tông, Mạc Phúc Nguyên),於公元1546至1564年間在位,為莫朝第四位皇帝。甫繼位便遭遇地方權臣挾皇族爭位,令末朝元氣大傷。加以黎鄭聯軍持續北伐、莫朝國勢日漸衰弱的情勢下。當時莫朝的實際控制範圍已大幅縮減至昇龍(今越北紅河三角洲部分地區),朝廷需倚賴武臣、防守據點與地理屏障以抵禦鄭氏勢力的步步進逼。莫福源在位期間致力鞏固政權、安撫地方與調整軍事部署,與黎鄭聯軍形成僵持,後感染天花病逝。

莫朝於公元1592年滅亡後,北遷至高平,依託明、清政權的不時介入,直至公元1677年才為後黎朝鄭主所滅亡。

類似/相同物件 請看:

臺灣 國立歷史博物館 National Museum of History

https://collections.culture.tw/nmh_collectionsweb/collection.aspx?GID=MFMXMEMZM8M2

中國 巨野博物館 Juye Museum

https://www.juyebwg.com/?id=523

更多相關訊息請參考:

編纂委員會編,《中國錢幣大辭典·宋遼西夏金編·北宋卷》,北京:中華書局,2005。

彭信威,《中国货币史》,北京:中国人民大学出版社,2020。

小島毅著;游韻馨譯,《中國思想與宗教的奔流:宋朝》,新北:臺灣商務印書館,2019。

三浦清吾編集,《安南泉譜 手類錢部》,東京:小野谷印刷,1976。

陳重金著;戴可來譯,《越南通史》(Việt Nam sử lược,越南史略),北京:商務印書館,1992。

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