Digital museum showcasing the collection of worldwide legends over the years! 千古不朽博物館展示多年來收藏的世界傳奇故事!
Northern Song Dynasty
Zhidao Yuanbao
(Regular Script, Zhidao Turtle Bao Type, Brass Version)
北宋
至道元寶
(楷書至道龜寶手黃銅版)
Item number: A3931
Year: AD 1428-1802
Material: Bronze
Size: 23.7 x 23.7 x 0.7 mm
Weight: 2.7 g
Provenance: Spink 2023
This is an imitation Zhidao yuanbao, modelled on the coin cast under Emperor Taizong, the second emperor of the Northern Song, using his final reign title, Zhidao. During his twenty-one years on the throne, Emperor Taizong employed five reign titles in succession.
The coin is a round cash coin with a square central hole, conforming to the traditional form of coinage within the Sinosphere. On the obverse appears the regular-script inscription Zhidao yuanbao, read in sequence from top, right, bottom, and left, all derived from Emperor Taizong’s own calligraphy. In the character dao 道, the bottom stroke turns at an angle; the turning strokes of yuan 元 are stiff and awkward. The character bao 寶 is said to have been simplified into three circles, hence the designation “turtle bao”, though this feature cannot be identified with certainty because the inscription is worn. The piece was probably produced by taking a circulating Northern Song Zhidao yuanbao as the model, making a mould from it, and then recutting the details with a knife. The coin is relatively small, with a comparatively broad outer rim. It is rather rare and, as an Annamese imitation struck for use as trade coinage, is often unearthed together with hoards of Ming coins. It was probably produced by the Guangnan Kingdom; however, since coin moulds for Zhidao yuanbao have also been excavated at Võ Nhai in Thái Nguyên Province, Vietnam, the possibility that it was instead cast by the Later Lê dynasty, which was contending with the Guangnan Kingdom during the same period, cannot be excluded. The reverse is flat.
Emperor Taizong of Song, Zhao Kuangyi, was the younger brother of the founding emperor, Zhao Kuangyin. Zhao Kuangyi’s succession is marred by the suspicion of fratricide, famously known as the “Candle Shadows and Axe Sounds” incident, coupled with several military failures during his northern campaigns against the Liao Dynasty. Consequently, he shifted his focus towards cultural endeavours, making it his mission to promote Confucianism. The two brothers, Emperor Taizu and Taizong, are often regarded as embodying the military and civil foundations of the Song Dynasty, respectively.
Emperor Taizu, during the Chunhua period (AD 990-AD 994), personally inscribed the calligraphy for the new currency “Chunhua Yuanbao,” making it the first coin in Chinese history to feature the emperor’s handwriting, known as “Imperial Script Money” (御書錢).
The coinage system of the Northern and Southern Song was complex. Among the officially circulating issues, both copper-alloy and iron coins were employed, functioning in tandem with paper money as a counterbalancing medium. Silver, meanwhile, gradually assumed an increasingly important role. Copper cash were issued with face values ranging from zhe-1 to zhe-10. Each circuit minted coins according to local demand: some used only copper cash, some only iron cash, and others a mixture of both. Calligraphic styles likewise varied, including regular script, clerical script, seal script, and Slender Gold, among others. In terms of material, the coinage is often described broadly as “bronze”, but in practice it was chiefly a ternary alloy of copper, tin, and lead. A Song-period compilation, the Zhujia Shenpin Danfa, includes the Rihua Zi Diangeng Fa, attributed to a Five Dynasties fangshi (Daoist technical specialist), which records a method for producing brass by treating red copper with calamine (lu ganshi). On this basis, there is also the view that brass-cast coins may have been used as “mother coins” (pattern coins for mould-making), though the matter requires further verification.
The Nguyễn Lordship of Quảng Nam began in AD 1558, when Nguyễn Hoàng—an early founder of the Lê Restoration—was appointed governor of Thuận Hóa at the suggestion of Trịnh Kiểm. Though framed as an honour, this appointment effectively exiled Nguyễn Hoàng to a frontier region, weakening his influence at court amid growing Trịnh dominance. At the time, Thuận Hóa was underdeveloped and served both as a buffer against Champa and Cambodia and as a frontier suitable for autonomous governance. Rather than resisting his assignment, Nguyễn Hoàng actively governed the region—recruiting migrants, pacifying local populations, building defences—and gradually established a de facto independent political and military regime known as the Nguyễn Lords of Quảng Nam. Although nominally loyal to the Lê emperor, they functioned independently and opposed the Trịnh-controlled northern court. From AD 1627, a prolonged civil war erupted between the Trịnh and Nguyễn, lasting until a truce in AD 1672, which formalised the Nguyễn’s control over central and southern Vietnam.
The Nguyễn Lords subsequently expanded southward, conquering territories from Champa and Cambodia. In AD 1698, they established the Gia Định prefecture, consolidating control over the Mekong Delta. During this era, the regime promoted Chinese-style education and civil service examinations, encouraged agriculture and Chinese immigration, and maintained social stability. However, by the late 18th century, corruption and heavy taxation provoked a popular uprising led by the Tây Sơn brothers in AD 1771. The Nguyễn Lordship was overthrown in AD 1777, with most of the royal family executed. Only Nguyễn Phúc Ánh survived, later founding the unified Nguyễn dynasty in AD 1802—the last imperial dynasty of Vietnam.
Thierry, François. Catalogue des monnaies vietnamiennes. Supplément. Paris: Bibliothèque nationale de France, Département des monnaies, médailles et antiques, 2002.