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Northern Song Dynasty
Zhidao Yuanbao
(Regular Script, Standard Characters, Brass Hue Version)
北宋
至道元寶
(楷書正字黃銅色版)
Item number: A3932
Reference number: DCD#38-3
Year: AD 1428-1802
Material: Bronze
Size: 24.4 x 24.6 x 0.9 mm
Weight: 3.95 g
Provenance: Spink 2023
This is a Zhidao yuanbao, modelled on the coin cast under Emperor Taizong, the second emperor of the Northern Song, using his final reign title, Zhidao. During his twenty-one years on the throne, Emperor Taizong employed five reign titles in succession.
The coin takes the form of the traditional round cash coin with a square central hole characteristic of the Sinosphere. The obverse bears the inscription Zhidao Yuanbao in regular script, read in clockwise order beginning from the top; the calligraphy is entirely derived from the emperor’s own hand. The outer rim is relatively broad. The coin is probably made of brass. The reverse is plain and without inscription.
Emperor Taizong of Song, Zhao Kuangyi, was the younger brother of the founding emperor, Zhao Kuangyin. Zhao Kuangyi’s succession is marred by the suspicion of fratricide, famously known as the “Candle Shadows and Axe Sounds” incident, coupled with several military failures during his northern campaigns against the Liao Dynasty. Consequently, he shifted his focus towards cultural endeavours, making it his mission to promote Confucianism. The two brothers, Emperor Taizu and Taizong, are often regarded as embodying the military and civil foundations of the Song Dynasty, respectively.
Emperor Taizu, during the Chunhua period (AD 990-AD 994), personally inscribed the calligraphy for the new currency “Chunhua Yuanbao,” making it the first coin in Chinese history to feature the emperor’s handwriting, known as “Imperial Script Money” (御書錢).
The coinage system of the Northern and Southern Song was complex. Among the officially circulating issues, both copper-alloy and iron coins were employed, functioning in tandem with paper money as a counterbalancing medium. Silver, meanwhile, gradually assumed an increasingly important role. Copper cash were issued with face values ranging from zhe-1 to zhe-10. Each circuit minted coins according to local demand: some used only copper cash, some only iron cash, and others a mixture of both. Calligraphic styles likewise varied, including regular script, clerical script, seal script, and Slender Gold, among others. In terms of material, the coinage is often described broadly as “bronze”, but in practice it was chiefly a ternary alloy of copper, tin, and lead. A Song-period compilation, the Zhujia Shenpin Danfa, includes the Rihua Zi Diangeng Fa, attributed to a Five Dynasties fangshi (Daoist technical specialist), which records a method for producing brass by treating red copper with calamine (lu ganshi). On this basis, there is also the view that brass-cast coins may have been used as “mother coins” (pattern coins for mould-making), though the matter requires further verification.