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Northern Song Dynasty,
Jingde Zhungbao
(Regular Script, Small Characters, Small Module Version)
北宋
景德元寶
(楷書小字小樣版)
Item number: A3940
Year: AD 1004-1007
Material: Bronze
Size: 24.2 x 24.4 x 1.0 mm
Weight: 2.75 g
Provenance: Spink 2023
This coin is a Jingde Yuanbao small cash coin, cast between the first and fourth years of the Jingde reign of Emperor Zhenzong of the Northern Song dynasty, that is, from AD 1004 to 1007.
The coin conforms to the traditional round cash form with a square central aperture characteristic of the Sinosphere. Both obverse and reverse bear an outer rim and an inner border. The obverse inscription reads Jingde Yuanbao in regular script and is read in clockwise sequence beginning from the top. A small perforation appears above the character bao (寶). Both the coin body and the calligraphy are relatively small. The reverse is plain and uninscribed, and the outer rim is comparatively narrow.
Emperor Zhenzong of Song, Zhao Heng (r. AD 997–1022), was the third emperor of the Northern Song dynasty. During his reign, he carried forward the centralising policies of his predecessor, Emperor Taizong, and worked to strengthen state institutions. Politically, he heeded the advice of key ministers such as Kou Zhun, and in the first year of the Jingde era (AD 1004), personally led a military campaign to Chanyuan to confront the Liao dynasty. This ultimately resulted in a peace settlement known as the Treaty of Chanyuan, which established the framework of annual tribute and peaceful coexistence between Song and Liao, ushering in nearly a century of relative peace.
Domestically, Emperor Zhenzong implemented the “Three Departments Regulations Office” to enhance fiscal oversight, promoted agriculture and water conservancy, and introduced various cultural and educational reforms. He expanded the National Academy and promoted Confucian learning, placing great importance on imperial lectures.
Zhenzong was also deeply devoted to Daoism, frequently engaging in grand rituals of worship and the reception of celestial omens. This religious inclination was particularly evident during the Tianxi era, marked by the adoption of the era name “Dazhong Xiangfu” and the large-scale construction of temples and Daoist shrines. His efforts to invoke divine legitimacy through religious symbolism added a strong theocratic tone to his rule. Though criticised by later generations, these actions reflected his attempt to reinforce imperial authority through ritual and sacred mandates. In his later years, due to declining health, governance was overseen jointly by Empress Liu and the crown prince Zhao Zhen, who would later ascend the throne as Emperor Renzong.
The coinage system of the Northern and Southern Song was complex. Among the officially circulating issues, both copper-alloy and iron coins were employed, functioning in tandem with paper money as a counterbalancing medium. Silver, meanwhile, gradually assumed an increasingly important role. Copper cash were issued with face values ranging from zhe-1 to zhe-10. Each circuit minted coins according to local demand: some used only copper cash, some only iron cash, and others a mixture of both. Calligraphic styles likewise varied, including regular script, clerical script, seal script, and Slender Gold, among others. In terms of material, the coinage is often described broadly as “bronze”, but in practice it was chiefly a ternary alloy of copper, tin, and lead.