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Revival Lê dynasty,
Lê Dụ Tông,
(Xiangfu Type)
黎中興朝
黎裕宗
祥符元寶
(祥符手)
Item number: A3949
Reference number: ANQP#20-1
Year: AD 1705-1719
Material: Bronze
Size: 25.0 x 24.9 x 0.5 mm
Weight: 3.4 g
Provenance: Spink 2023
This is an imitative reign-title coin named after Dazhong Xiangfu, the reign title used during the reign of Emperor Zhenzong of the Northern Song dynasty.
The coin is a traditional square-holed round cash coin of the Sinographic cultural sphere. Both obverse and reverse bear inner and outer rims. The obverse inscription reads Xiangfu Yuanbao in regular script, the four characters being read in sequence from the top and then clockwise; all four differ from those found on authentic Xiangfu Yuanbao coins. The calligraphy is stiff and formal, resembling coin inscriptions of the Ming and Qing periods and later. The central hole is relatively broad, the outer rim is comparatively wide, and the characters are relatively large. In the character fu, the bamboo radical is written in the form gege. The reverse is plain, without pattern or inscription. The metal is dark reddish in colour, possibly owing to a relatively high lead content.
Among the Yongsheng Tongbao coins cast and circulated under Emperor Yuzong of the Later Lê dynasty in Vietnam, there is a variety bearing the character ji or si on the reverse; these are comparatively well made and may have been official issues. By contrast, the plain-reverse Yongsheng Tongbao coins are crudely made, with shallow obverse inscriptions. Excavated coins of the Five Dynasties and Song periods exhibiting similar fabric and style are referred to as the Yongsheng style. The Yongsheng style may in turn be divided into two branches according to copper colour: one is the more reddish Shaofu style, with a higher lead content; the other is the more yellowish Qianyuan style (though not brass). Within the Yongsheng style, there is a group of coins characterised by broad rims, wide central holes, careful workmanship, and relatively large diameters. These are of a quality closer to official cast coins than the ordinary Yongsheng style, and since Xiangfu Yuanbao stands at the head of this group, it is classified separately as the Xiangfu style.The issuing authority is unknown.
Emperor Zhenzong, personal name Zhao Heng, was the third emperor of the Song dynasty and a son of Emperor Taizong, Zhao Jiong. He ascended the throne in the 3rd year of the Zhidao reign, in AD 997, and remained in power until the 1st year of the Qianxing reign, in AD 1022, ruling for a total of twenty-five years. During his reign, he successively employed the reign titles Xianping, Jingde, Dazhong Xiangfu, Tianxi, and Qianxing. In the early part of his reign, Emperor Zhenzong largely inherited the political foundations established under Emperor Taizong. In governance, he attached importance to civil administration and continued the Song policy of esteeming Confucian learning and according privileged treatment to the scholar-official elite. During the first half of his reign, relations between the Northern Song and the Liao remained tense. In the 1st year of Jingde, in AD 1004, Liao forces advanced southward, and, at the forceful urging of the grand councillor Kou Zhun, Zhenzong personally went to Chanzhou to direct the defence. This ultimately led to the conclusion of the Chanyuan Covenant with the Liao, after which Song–Liao relations remained broadly peaceful for an extended period. Although this agreement secured peace through the payment of annual tribute, thereby bringing relative stability to the Northern Song’s northern frontier, Zhenzong gradually came to regard it as detrimental. In the middle and later years of his reign, he placed increasing emphasis on auspicious omens, the feng and shan sacrifices, and extraordinary signs associated with Daoism. Particularly during the Dazhong Xiangfu period, he repeatedly proclaimed the descent of heavenly texts, held grand ceremonial visits and related observances, and carried out the last fengshan sacrifice in Chinese history. After Zhenzong’s death, his son Zhao Zhen succeeded to the throne as Emperor Renzong.
In AD 1718, the Kangxi Emperor of Qing China dispatched envoys to Đại Việt and formally conferred upon Lê Dụ Tông the title “King of Annam”. In AD 1720, the era name was changed to Bảo Thái. In AD 1727, Lê Dụ Tông’s eldest son and crown prince, Lê Duy Tường, was deposed due to his poor relationship with Trịnh Cương. He was replaced by his younger half-brother, Lê Duy Phường, born to a consort of the Trịnh family. In AD 1729, under the arrangement of Trịnh Cương, Lê Dụ Tông abdicated in favour of Lê Duy Phường, who adopted a new era name and was posthumously known as Emperor Vĩnh Khánh. Lê Dụ Tông retired with the title of Grand Emperor (Thái Thượng Hoàng). That same year, Trịnh Cương died and was succeeded by his son, Trịnh Giang, who is historically characterised as decadent, cruel, and incompetent. In AD 1731, Lê Dụ Tông passed away. The following year, Trịnh Giang deposed Lê Duy Phường, demoting him to Duke of Hôn Đức, and later referred to him as the Deposed Emperor Lê. He then reinstated Lê Duy Tường to the throne as Emperor Lê Thuần Tông.
Thierry, François. Catalogue des monnaies vietnamiennes. Supplément. Paris: Bibliothèque nationale de France, Département des monnaies, médailles et antiques, 2002.
陳文為等奉敕撰,《欽定越史通鑑綱目》,臺北:中央圖書館出版,1969。
陈重金着;戴可来译,《越南通史》(Việt Nam Sử Lược/越南史略),北京:商务印书馆,1992。