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Northern Song Dynasty
Xiangfu Tongbao
(Regular Script, Long Characters Version)
北宋
祥符通寶
(楷書長字版)
Item number: A4012
Reference number:Yan#330、DCD#58-5
Year: AD 1008-1016
Material: Bronze
Size: 25.3 x 25.4 x 1.0 mm
Weight: 4.3 g
Provenance: Spink 2023
This specimen is the Xiangfu Tongbao (祥符通寶), an era name coinage cast during the reign of Emperor Zhenzong (宋真宗) of the Northern Song Dynasty. It derives its name from the Dazhong Xiangfu (大中祥符) era (AD 108–1016).
The physical form of the coin conforms to the traditional round shape with a square central perforation characteristic of the Sinospheric cultural orbit. The coin diameter is relatively small. The obverse features the inscription Xiangfu Tongbao (祥符通寶) in regular script, read circumspectly starting from the top. The calligraphic characters are large and slender. The reverse is a plain back type, entirely devoid of any inscriptions.
The era name originally intended for this coinage was Dazhong Xiangfu, named after the “Heavenly Books” (auspicious omens) reportedly received by Emperor Zhenzong. However, as the era name Dazhong had previously been used by Emperor Xuanzong of the Tang Dynasty, it could not be used for new coinage. Consequently, the inscription was shortened to Xiangfu, issued as both Tongbao and Yuanbao.
Zhao Heng (Emperor Zhenzong, r. AD 997–1022) was the third emperor of the Song Dynasty and the son of Emperor Taizong. Throughout his twenty-five-year reign, he utilised five era names: Xianping, Jingde, Dazhong Xiangfu, Tianxi, and Qianxing. In his early years, Zhenzong largely maintained the administrative foundation laid by Taizong, prioritising civilian governance and continuing the national policy of venerating Confucianism and treating the scholar-official class with high prestige. The early part of his reign saw heightened tensions with the Liao Dynasty. In AD 1004 (the first year of the Jingde era), when Liao forces invaded the south, Zhenzong—at the persistent urging of Chancellor Kou Zhun—personally travelled to Zhanzhou to oversee the military operations. This led to the conclusion of the “Chanyuan Treaty,” which ushered in a long period of relative peace between the Song and Liao. While the treaty secured peace through annual subsidies (suibi), it provided stability to the northern frontier, though Zhenzong later viewed the necessity of such payments with some regret. In the mid-to-late period of his reign, the Emperor became increasingly preoccupied with auspicious omens (furui), Fengshan sacrifices, and Taoist mysticism. This culminated in the Dazhong Xiangfu era, when he claimed “Heavenly Books” had descended to Earth, changed the era name accordingly, and performed the final Fengshan sacrifices in Chinese history. Upon his death, he was succeeded by his son, Zhao Zhen (Emperor Renzong).
The monetary system of the Song Dynasties was remarkably complex. Officially circulated currency utilised both copper and iron as primary metallic media, which functioned alongside paper currency (huizi and jiaozi). Concurrently, silver gradually assumed a position of significant importance. Copper coins were issued in denominations ranging from a value of one (zhey-yi) to ten (zhe-shi). Various circuits (lu 路) minted coins according to local demand; some regions utilised only copper, some only iron, and others a bimetallic combination. The calligraphic styles employed on these coins were diverse, encompassing regular, clerical, seal, and slender gold scripts. The simultaneous issuance of coinage in multiple calligraphic styles originated with the Chunhua Yuanbao (淳化元寶) under Emperor Taizong. However, the introduction of pair coins (duiqian 對錢)—series of coins with identical dimensions but rendered in different scripts—largely commenced with the Tiansheng Yuanbao (天聖元寶) during the reign of Emperor Renzong.