Digital museum showcasing the collection of worldwide legends over the years! 千古不朽博物館展示多年來收藏的世界傳奇故事!
40 anniversary of Government Taiwan Exhibition Industrial Department Commemorative Medal
始政40年周年臺灣博覽會產業館紀念章
Entrance of Taiwan Exhibition 1935 Commemorative Photo Album of the Taiwan Exposition for the 40th Anniversary of Governance
Entrance of Industrial Pavilion of Taiwan Exhibition 1935 Commemorative Photo Album of the Taiwan Exposition for the 40th Anniversary of Governance
Item number: M514
Year: AD 1935
Material: Bronze
Size: 80.3 x 50.5 x 5 mm
Weight: 83 g
Provenance: Jiu Wan Gu 2026
This is a commemorative medal issued for the Industrial Pavilion at the Taiwan Exposition in Celebration of the Fortieth Anniversary of Governance.
The medal possesses an oval outline. In the centre of the obverse is a fish hooked on a line; judging by the slightly hooked upper and lower jaws, the sparse spots along the lateral line, and the robust, truncated caudal fin, it appears to be the Formosan landlocked salmon, an endemic species of Taiwan. The field features a fine, scale-like relief, which may be an attempt to emulate the small cycloid scales characteristic of Salmonidae, or perhaps an intention to render the image of water ripples. The edge of the medal is bounded by a rim. On the reverse, the Chinese characters “Taiwan Exposition” are arranged vertically in Ming typeface down the centre, flanked on the right by “In Commemoration of the Fortieth Anniversary of Governance”, and on the left by “First Venue, Industrial Pavilion / October 10th, Showa 10”.
The “Taiwan Exposition in Celebration of the Fortieth Anniversary of Governance” (commonly abbreviated as the Taiwan Exposition), held in AD 1935 (Showa 10), was the most grandly scaled exhibition event in Taiwan during the Japanese colonial period. Its historical context originated from the tradition of world’s fairs prevalent after the Western Industrial Revolution and the “Industrial Exhibition” tradition promoted after Japan’s Meiji Restoration. The Office of the Governor-General aimed, through “purposive” displays, to boast both domestically and internationally of the achievements in industrial promotion, transport, culture, and public infrastructure accomplished during forty years of Japanese rule in Taiwan, whilst simultaneously promoting the “Base for Southward Expansion” policy and fostering Taiwanese tourism. Throughout the preparation and execution stages, the organisational framework was divided into the official “Taiwan Exposition”, the joint official-civilian “Taiwan Exposition Association”, and the strongly civic “South Pavilion Dadaocheng Support Association” formed by local gentry in Dadaocheng. The venues adopted a “centralised urban multi-venue system”, encompassing the “First Venue” situated at the Taipei City Public Hall and South Three-Lane Road, the “Second Venue” located at New Park, the “Grass Mountain Branch Pavilion” in Yangmingshan, and the “Dadaocheng Branch Venue” established near Taiping Public School in response to petitions from the Dadaocheng business community. Among these, the Industrial Pavilion located at the First Venue was a large-scale directly managed pavilion covering an area of 3,115 square metres. Designed by Maeda Toshio, a technician from the Building and Repairs Section, its structure utilised temporary building materials such as timber and bagasse board. The exterior was clad in national-defence-coloured facing tiles and featured an attached 25.75-metre-high wooden tower, serving to showcase the governance achievements in Taiwan’s core industries—including agriculture, fisheries, industry, and commerce—concentrated within a Modernist architectural style. The Exposition prompted a large-scale, island-wide mobilisation, encompassing advertising campaigns, aerial leaflet drops, comprehensive overhauls of island-wide railway timetables, the replacement and renewal of buses, and rigorous sanitary and epidemic prevention measures. Attracting over 2.77 million visits, the consequences and impact of this grand event not only successfully demonstrated colonial modernity to international and Chinese inspection delegations (such as Chen Yi, Chairman of Fujian Province), but also stimulated the tourism industry and created a brand-new urban map of nightlife, entertainment, and consumption.